why was the gardenscape, villa of livia created

The whole design of the painting is based on soft, natural forms flowing together in a harmonius movement, reflecting the beauty of nature.Īlso, through my research, I have discovered that in the second style era of wall paintings the people of Rome wanted always to be in the beauty of nature. The more detailed parts of the painting have darker outlines that make them stand out, creating a focal point for your eye. Together the trees and birds, which are curvy and flowing, creat an almost vine-like effect. The lines of the work create movement and a natural beauty throughtou the composition. Since the painting is set up horizontally, objects look wider rather than taller, and horizontal bands of fence, background and border have been created so your eye seems to see a wide-angle view. This is illustrated by the fence, trees and birds in the foreground, which are precisely painted and the details of dense foliage in the background, which are indistinct.

Through my research of this painting I have discovered that it uses atmospheric perspective- indicating depth by the increasinly blurred appearance of objects in the distance. This can be seen in the artist's lack of using framing devices, thus creating a picture-window wall. The second style describes the artist's attempt to dissolve a room's confining walls and replace them with the illusion of an imaginary three-dimensional world.

The dry fresco is done in the second style of Roman art and depicts an ideal garden scene. The Gardenscape at Villa of Livia in Primaporta, Italy (Livia was the wife of Emperor Augustus) decorates a vaulted, partially subterranean chamber of the villa.

Why was the gardenscape, villa of livia created